Tonight’s sound is far from that of a singer songwriter accompanied by bland backing drones – it’s a dense, well executed chunk of coolness. The rhythm section is funky, the technology (keyboard and laptop) is integral rather than ornamental and the guitar is almost apologetically virtuoso, used sparingly enough to get excitement out of the tired old instrument.
Songs recall Hot Chip and Radiohead’s more fuzzily disjointed moments with opener OK a brilliant example of ‘new music’ done well. Despite a somewhat static live show they seem destined for bigger stages.
Mr Peñate must have hand picked his support for the night – at first listen to the Tonight's Today single there’s a "lets make it dancey for the sake of it feel" that might cement any aversion to his music caused by the amiable but frothy content of the early singles like Torn On The Platform. It’s not the case though – the line up is rudimentary, no blips or bloops, just plenty of invention.
The first thing that strikes when Jack bounces onto the stage is that he is a happy man, “It’s nice to see humans again, I’ve been in the studio for about a year and I miss the human touch,” he beams and then proceeds to charm the Bongo Club in his own way (“you’re sweaty and grimy, not like Liverpool last night - I like it”) and giving brief backgrounds to his songs.
The night’s showstoppers are a new song of homage to the Mexican death festival (Let's All Die) and an earlier song, Give Yourself Away. These two show that there is more to the man than annoying hats and Scouting for Girls-esque schmaltz - he’s actually got a knack for original melody and insightful lyrics – here’s hoping he can recover his reputation from the snobs and people give him a second look.